All prints are made-to-order and will require one to two weeks’ production time before being shipped. Each order will be acknowledged after payment has been received to confirm the shipping date. To customers who order prints of the same image subsequent to their original order, there may be slight variations in image density and/or contrast when compared to the initial print. If exact matching prints are desired, these should be ordered at the same time.
All prints are shipped flat, durably mounted on high quality backing board with two inch borders top and sides and a five inch border at bottom.
Custom Matting and Framing crafted to fit the Mount Board Size shown will be required to complete the presentation. The bottom border will show below the lower right corner of the image the photographer’s signature. Due to slight size variations please await receipt of your mounted print before ordering custom matting and framing.
Reproduction or publishing of prints sold on this website and related websites in whole or in part in any form, photographically, digitally, or otherwise, is strictly prohibited. The purchase of a print on this website is intended for buyer’s exclusive use in a single display location, and buyer accepts these conditions without modification. Please see Terms and Conditions of Sale for further clarification and additional terms and conditions for the sale of prints.
Glenwood Canyon Hanging Lake Tunnels, East Portals Distant View, nr. Glenwood Springs, Colorado, October 13, 1992
The 4000-foot-long Hanging Lake Tunnels are the crown jewel of the twelve-year-long I-70 construction project through Glenwood Canyon, just east of Glenwood Springs in western Colorado. Comprised of forty bridges and various elevated spans costing 500 million dollars, the completion of this twelve-mile stretch of I-70 along the Colorado River was the final piece of the interstate highway system in Colorado, as originally planned during the Eisenhower Administration in the mid-1950’s. Enormous engineering and environmental challenges defined this project which won wide-spread recognition for its design and construction innovations. The tunnels took a dangerous curve out of the original two-lane US 6 pathway. Image made at dusk one day prior to the tunnels’ dedication using a Hasselblad 500 C with an 80mm f2.8 Carl Zeiss Planar Lens and Kodak color negative film. Sodium vapor lighting in the tunnels is vastly different in color temperature than daylight, making accurate color balance impossible to achieve.
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