All prints are made-to-order and will require one to two weeks’ production time before being shipped. Each order will be acknowledged after payment has been received to confirm the shipping date. To customers who order prints of the same image subsequent to their original order, there may be slight variations in image density and/or contrast when compared to the initial print. If exact matching prints are desired, these should be ordered at the same time.
All prints are shipped flat, durably mounted on high quality backing board with two inch borders top and sides and a five inch border at bottom.
Custom Matting and Framing crafted to fit the Mount Board Size shown will be required to complete the presentation. The bottom border will show below the lower right corner of the image the photographer’s signature. Due to slight size variations please await receipt of your mounted print before ordering custom matting and framing from your local vendor.
Reproduction or publishing of prints sold on this website and related websites in whole or in part in any form, photographically, digitally, or otherwise, is strictly prohibited. The purchase of a print on this website is intended for buyer’s exclusive use in a single display location, and buyer accepts these conditions without modification. Please see Terms and Conditions of Sale for further clarification and additional terms and conditions for the sale of prints.
Maroon Bells at Daybreak with Rainbow nr. Aspen, Colorado, September, 1994
Legions of photographers have made millions of photographs of The Maroon Bells, Colorado’s most famous scene…and one of the most immediately recognizable North American landscapes. In this photograph made on or about September 21, 1994, broken clouds, a fine mist, the right sun angle at the opportune moment produced a rare daybreak rainbow. Taken with a 4×5 Linhof Master Technika camera fitted with a 210mm Schneider Symmar lens on Fujichrome film, the colors of the original transparency remain faithful to the present thanks to excellent dye stability and cool, dry storage conditions. This image is a high resolution digital scan of the original. In 1994 serious landscape photographers used mostly 4×5 and larger format film cameras, necessitating thirty pound backpacks of camera, lenses, filters, light meters film holders and tripod. Digital cameras rivaling large format image quality were at least fifteen years in the future.
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